Unspeakable: A Visit to Tulsa’s Black Wall Street

In April 2019, editorial director Carol Hinz and art director Danielle Carnito traveled to Oklahoma to gather information related to several books they were working on. One of them was Unspeakable: The Tulsa Race Massacre by Carole Boston Weatherford, illustrated by Floyd Cooper, which will release on February 2, 2021. We asked Carol and Danielle to share a little about how their trip shaped their work on this book.

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5 Kinds of Nonfiction: Nonfiction Writers Dig Deep

A guest post by Melissa Stewart

Many teachers and students seem to think that writing nonfiction requires nothing more than doing some research and cobbling together a bunch of facts, but nothing could be further from the truth. To dispel this alarming myth, fifty of today’s most celebrated authors for children have come together to share a critical part of the nonfiction writing process that often goes unseen. The result is the illuminating anthology Nonfiction Writers Dig Deep: 50 Award-winning Children’s Book Authors Share the Secret of Engaging Writing

To craft high-quality prose, nonfiction writers have to dig deep. They have to get in touch with their passions and their vulnerabilities and use them to fuel their work. Each book has a piece of the author at its heart, and that personal connection is what drives writers to keep working, despite the inevitable obstacles and setbacks.

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5 Kinds of Nonfiction: Sara Levine

We explore Expository Literature with Sara Levine, author of Eye by Eye: Comparing How Animals See. The playful picture book keeps readers guessing as they learn wonderfully weird and gross facts and find out how different animal’s eyes are like—and unlike—those of starfish, owls, slugs, and more! Keep reading to learn more about Sara’s process, and about Expository Literature and the 5 Kinds of Nonfiction.

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Q&A with Carole Boston Weatherford

On October 15, Carole Boston Weatherford, author of Unspeakable: The Tulsa Race Massacre presented at SLJ Day of Dialog, and the Q&A session was so interesting, we wanted to share it with you!

When did you first learn about the Tulsa Race Massacre? Do you have any personal connections to the event?

Decades ago, my drive to educate myself led me to examine our nation’s history of lynching and tragedies such as the 1898 Wilmington Race Insurrection and the Red Summer of 1919. Although I have no ties to Tulsa, according to family lore, I had a cousin who was lynched–burned to death in his Bristol, Tennessee home–and another relative on the Eastern Shore of Maryland whose store was burned down because it competed with a nearby white-owned general store. 

Was your process for researching and writing this book different from your previous books?

To research this book, I read the 2001 report of the Oklahoma Commission to Study the Tulsa Race Riot of 1921. I also relied on digital resources of the Greenwood Cultural Center, Tulsa library, Oklahoma and Tulsa historical societies, the Oklahoma Digital Prairie, the Tulsa World Newspaper, and the Smithsonian Magazine

Editor Carol Hinz made note that you chose to start not with the tragedy, but with the community and Black excellence. Can you talk about that choice, and also the “once upon a time” opening that you mentioned in the panel discussion at SLJ Day of Dialog?

The greatest threat to white supremacy was, and still is, Black advancement. To tell the story, I took a forensic approach, reconstructing the crime scene to prove the motive and show the magnitude of the destruction, the loss. Black Wall Street was a remarkable achievement, yet for decades it was vanished history. I invoke and repeat the fairy-tale phrase, “once upon a time,” as a poetic device to set a familiar yet elegiac tone.  

In your engaging chat with Nikki Grimes at SLJ Day of Dialog, you mentioned that you “mine the past.” Could you please share how you do that research?

As an author, I mine the past for family stories, fading traditions and forgotten struggles. My research process varies from book to book. Suffice it to say that I am often researching obscure subjects, so I have sometimes I have to dig deep. I rely on digital archives.

What did you think when you first saw Floyd Cooper’s illustrations? How did they compare to what you had envisioned while writing the manuscript?

Unspeakable is my second collaboration with Floyd. So, I knew what to expect: cinematic, sepia-tinged subtractive art. I knew Floyd is a Tulsa native, so after writing the first draft of Unspeakable, I asked him about collaborating. He immediately agreed. Because of his Tulsa roots, I knew he would bring passion to the project. He did not disappoint. These illustrations are among Floyd’s finest work. In terms of composition and execution, Unspeakable‘s cover is perfection.

What are your hopes attached to sending this book into the world? What do you want young readers to take away from this book?

So much African-American history has been twisted or omitted by white culture keepers. Because teachers can’t teach what they don’t know, the onus to set the record straight often falls on Black parents and the Black community. Books like Unspeakble serve as resources to heighten awareness and spark much-needed cross-cultural and cross-generational conversations.

Unspeakable holds a message for children and for the adults in their lives. Racism is not merely a way of thinking; it is a weapon that has no place in the hearts and minds of good people. Racism breeds hate, and hate breeds violence. The antidote is to raise anti-racist children. With conviction, we must vow: “Never again.”

Unspeakable will be published in February 2021, and is available for pre-order now.

Introducing: 5 Kinds of Nonfiction with Melissa Stewart!

A guest post by Melissa Stewart

Back in 2017, I proposed a five-category system for classifying children’s nonfiction on my blog, and the response was incredible. Teachers loved it. So did librarians and children’s book authors and editors. People praised the clarity it brought to the range of children’s nonfiction available today.

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