The past few Wednesday posts have been about zombies, creators, and conventions. But before editors get as far as strolling through artists alley looking for talent, we have to decide what to publish. For most imprints, like Graphic Universe, that means figuring out how to balance different types of books, while always thinking about the […]Read more "GU Comics Day: Balancing the books"

I’m not sure every publishing house uses abbreviations to the extent we do. They’re everywhere, in every department, and have been for many years. In fact, one of the first documents we give to new people in the editorial sphere is a glossary and list of abbreviations. Ever hear of a PE? For us, that’s […]Read more "Awash in Abbreviations"

If there aren’t some cat lovers among our readership, I’ll eat my hat. I have three cats at home, all tabbies from the Animal Humane Society. The oldest one, Muffin, rules the roost, and she does not like having her picture taken, much less starring in a YouTube video. Click on the video below to […]Read more "Feline Wonders"

Editing children’s nonfiction is a little like being in school: I’m constantly learning something new, whether it’s the history of football or the gestation period of a giraffe. But no matter the subject, the following resources have always served me well. The Chicago Manual of Style and Merriam-Webster’s Collegiate Dictionary,11th edition are the two books […]Read more "Nonfiction Monday: An Editor’s Essential Tools"

Email and Facebook make it easy for editors to correspond daily, even instantly, with their authors and illustrators. It makes for a much more enjoyable relationship than merely Fed Ex’ing manuscripts back and forth. Still, for all the advantages of electronic communication, there’s nothing like meeting someone in person. At ALA in Chicago this July, […]Read more "Real Live People"

When you tell people you’re a trade children’s book editor, people from outside the industry—“civilians”—often assume that you do a lot of focus group research with young readers, and that books are rigorously tested*. Formal, truly representative testing is not really compatible with the creative process that’s so essential to picture books and novels, so […]Read more "Rigorous Testing"

I recently returned from ALA, where I once again sat in as the Best Books for Young Adults (BBYA) committee deliberated. The members’ comments were thoughtful. They clearly took their jobs seriously. The composition of the membership was fairly diverse as to gender, age, ethnicity, and region. I was sorry to miss the part where […]Read more "Baby, Bathwater, and Beyond"

We’re back from ALA in Chicago and what a success it was! The convention center was packed with 29,000 librarians and book lovers of all ages (pretty good company if you ask me). The four day conference was a marathon session filled with meetings, author and illustrator signings, great meals, and even a ticket to […]Read more "ALA 2009: Author Signings, Newbery Caldecott Wilder Banquet, and More!"

(This entry posted on behalf of Erin Finnegan. She takes a look another one of the reasons why editors go to comic conventions—or send their minions.) Hello! Starting in July I came on board as an intern in Graphic Universe’s office in New York City. A few years ago I began writing professional convention coverage […]Read more "GU Comics Day: Finding artists in the alley"