For the cover of Carrie Mesrobian’s Perfectly Good White Boy, I had to audition some pretty grungy characters: floors and surfaces in and around the Lerner offices. Lest you think book design is all about glamour. Here are some of the runners up and why they weren’t cast:
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| The oft-trod carpet outside of my office. This had some nice streaks in it to give depth & movement to the cover, but all in all was a little too warm & cozy. |
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| Ah, winter in Minnesota. The sidewalk in front of our building, taken during a slight January thaw. This setting gives too much of an idea of time & place. |
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| Wood grain laminate on a conference room table. Too shiny & neat. And too obviously fake for a story that rings true. |
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| 3rd floor men’s bathroom. Because who doesn’t want to sit on a bathroom floor to take a picture. This is great flooring for a bathroom—the pattern & texture can hide a lot of evils—but on the cover of a book it had a jaunty vibe that just didn’t fit. |
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| Old drain area tucked away in a basement corner, far away from any workspaces. This was too close to a “going down the drain” visual metaphor. |
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| Our entryway, during slushy salty winter. Nice perspective, but the lines were distracting to the title. |
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| A back stairwell. Stairs heading up. Too optimistic? |
So we come to the winner, the second floor kitchen. Just the right amount of familiar dullness with a slightly sad air about it. Just what a cover should strive for, right? In this particular case, yes.
So what do you think—did the right character get the part?