(This entry posted on behalf of Erin Finnegan. She takes a look another one of the reasons why editors go to comic conventions—or send their minions.)
Hello! Starting in July I came on board as an intern in Graphic Universe’s office in New York City. A few years ago I began writing professional convention coverage for Publishers Weekly Comics Week (online) and Otaku USA Magazine’s website. I’m also a manga and anime reviewer for both.
Almost every weekend in North America there is at least one convention devoted to Japanese animation (anime) and comics (manga). Check AnimeCons.com for the yearly schedule. Last weekend, I went to Otakon, in Baltimore, Maryland, the second largest anime convention in the U.S. When I told Carol about Otakon, she said, “Oh, good! You can look for artists in the Artist Alley for Graphic Universe.” I was sent off with a pocketful of petty cash.
There were artists who tried to emulate manga, and those who went more for a superhero American comic look. Conventions often catch the crossover audience between the two comic worlds. Some attendees at Otakon dressed as Watchmen characters, just like how at San Diego Comic Con some attendees dress as Naruto characters. Otakon attendees are a young crowd, from about age 13 to 30. Because Otakon does not sell one-day admissions, only expensive 3-day passes, the crowd skews older than smaller conventions like MangaNext, where the average attendee is around 17. By contrast, the average San Diego Comic Con attendee is 25-35—except in the anime rooms, in which case, they are much younger and more female.
Any Artist Alley is a good place to look for the next great undiscovered talent. You just have to keep your eyes open.