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Integration

One of the most satisfying things about working on single-title nonfiction is that you can encounter its components in real life. I had this experience quite literally when I heard Archaeologist Doug Owsley interview on public radio: http://minnesota.publicradio.org/www_publicradio/tools/media_player/js/swfobject.js /**/ Doug and his work play a critical role in the story Sally Walker tells in her […]Read more "Integration"
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How Harry Lerner Got into Publishing

[In the 1950s, Harry Lerner was serving in the U.S. Army in Germany. Here’s the story—somewhat abbreviated—of how he got into publishing. It’s part of the memoir he wrote to celebrate LPG’s 50th anniversary. At left is the cover, which shows HJL sitting in the Renault mentioned below.] GIs were importing American cars at U.S. […]Read more "How Harry Lerner Got into Publishing"
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Ready . . . Set . . .

How many of you spend a part of your day drawing pictures? I suppose it depends on how old you are and what kind of job you have, but here at Lerner, editors and production editors don’t typically do any drawing apart from a few stray doodles. That all changed when we started working on […]Read more "Ready . . . Set . . ."
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“Enviable”

When something is described as enviable (in this case Steve Brezenoff’s prose) your next question is naturally, who’s doing the envying? Sara Zarr, that’s who. Here’s what she said: Brezenoff’s enviable prose captures four distinct, compelling characters as they struggle through the often heartbreaking work of becoming adults. Readers will identify with Suzanne, Lily, Noah […]Read more "“Enviable”"
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The Answer to the Blank Stare

[I asked Sarah Olmanson, one of our production editors, to write a post on how she sees her job.] Have you seen the blank stare in response to an answer you’ve given? I have. Every time I tell someone I’m a production editor. The question remains, “So what do you DO exactly?” While the answer […]Read more "The Answer to the Blank Stare"