Three significant things happened for me in 2008: My son was born; I began working at Carolrhoda; and I got serious about photography. All three are actually quite related.
I wanted this job for lots of reasons, but one of them was so that I could make books that my son would be interested in now. I wanted to learn about photography because the first photos I took of my son after he was born were frustrating to me (I can’t quite bring myself to write disappointing, because they are of my son). And as a texty person jumping into the world of visual story telling, I felt like photography would be a way to engage that part of my brain so that I could communicate with illustrators in some way the resembles how I communicate with writers.
Photography has paid more dividends than that, though. There’s a world of adult visual storytelling through photos that’s been at least as beneficial to how I approach text. A few photo books leap to mind as being just as inspiring for my inner prose artist as my inner visual artist:
- Bruce Davidson’s Brooklyn Gang
- Roy Decarava’s The Sweet Flypaper of Life
- Robert Frank’s The Americans
- The whole Vivian Maier story
When I’m stuck for something to say about a text, I now find myself turning to photography to reboot my imagination.
Prose people, tell me, what worldless things fuel your imaginations?
Domenica Di Piazza
Fashion photography! I'm crazy about Lillian Bassmann's classic photos, and I follow Garance Dore's street-fashion blog for the modern take on fashion. Dore used to be based in Paris, which was really fun, and now she's in NYC for the America angle.
http://www.garancedore.fr/en